with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

with his big releases on terminal m, material, bitten, area remote etc. spanish dj and producer danny serrano is definitely on the run and delivering consistent high quality clubtracks since years. it was in 2009 when he had his first release on bouq (together with mendo) so it was about time to return to amir & butch s label.

mit seinem 2014 veröffentlichten album *outta here* hat das wiener duo tosca bewiesen, dass man auch nach einer zwei jahrzehnte andauernden karriere zu positionswechseln in der lage ist. das magazin clash sprach gar von der beeindruckendsten und grundlegendsten musik ihrer karriere. richard dorfmeister und rupert hubert hatten sich nach sieben alben, auf denen sie die welt des downtempo und der chill-out-musik zu definieren halfen, entschlossen, den dancefloor für sich zu entdecken. wobei sie nicht umhin kommen, einige traditionen zu bewahren: auf *shopsca*, einer überarbeiteten version von *outta here*, betrachten sie jeden albumtrack aus einer radikal neuen perspektive, von hartem drei-uhr-morgens-techno und electronica bis zu spacigem dub und darüber hinaus. für fans von laidback, rainer trüby, kraak + smaak, kalabrese, lord echo, stee downes, silvercity, ltj experience, rodney hunter, smith + mudd, blundetto, nightmares on wax, the avener. das doppelvinyl erscheint mit cd.

big, bad batu steps forward with two a-grade dancefloor weapons, stealthy and hard-hitting cuts from one of bristol’s most fresh-faced producers, presenting two trax from the dubplate vaults for the 7th plate on hotline recordings.

italo classic

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

little is known about the london-based producer and dj who goes by the name of u, but that hasnt quelled praise from bedroom heads, industry tastemakers and big name press alike. audio arbiter george fitzgerald originally met u on a holiday in greece and immediately commissioned a handful of 12inches, each brimming with trademark mechanical bliss, like pleasure tinged with menace. u has since gone on to release for erol alkans phantasy sounds (both as a solo artist and in collaboration with babe, terror as btu), being given the nod by the guardian, mixmag and the line of best fit.

returning to hakt after his 2013 single n1, cale parks continues to chart a compelling new path with the lagoon fool ep, his second foray into solo production. as the current drummer for yeasayer and a prolific collaborator both in studio and live, cale’s creativity knows no genre. the five tracks on offer sneak from the beaten path, complicating signifiers of style, gently tweaking the standard grammar of club music, and remaining accessible all the while. assembled in his brooklyn studio, but sonically sourced from his grandparents’ tennessee farm, lagoon fool carries that sublime, somehow inviting ethos of the appalachian range. airy and tectonic at once, impeccably detailed, yet easily taken as a whole, it’s a rich, deceptively layered listen. as a skilled songwriter and a produce quickly proving his caliber, cale has composed a suite that demands multiple listens and a place at peaktime just the same

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

wenn es um erfolg geht, scheinen dem mann keine grenzen gesetzt: calvin harris, vom forbes-magazin jüngst zum bestbezahlten britischen musiker und dj nummer eins weltweit gekürt, schwimmt derzeit auf einer unglaublichen erfolgswelle: mit seiner jüngsten single *summer* gelang ihm nicht nur der sechste nummer-eins-hit in großbritannien, auch in deutschland erreichte er einen neuen karriere-peak. der song erreichte in den media control charts platz drei (bisherige bestmarke: platz 13) und den deutschen airplay-chart sensationell platz neun (!).
nachdem harris auf *summer* eindrucksvoll gezeigt hatte, dass er auch selbst als sänger seiner songs extrem erfolgreich sein kann, verpflichtete der 30-jährige mit shootingstar john newman (love me again) eine der beeindruckendsten stimmen im internationalen pop-business. mit *blame* küpfte harris nahtlos an diese erfolge an: in großbritannien schoss die single von null auf eins, in deutschland rangierte der song bereits nach zwei wochen in den top 5 der media control charts. beide singles finden sich auf dem vierten calvin harris-album *motion*.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

high:controla records on this third edition, welcomes to yuuki hori, rising star from japan. circles ep, with three cuts of detroit techno, demonstrates the big talent of this japanese artist and his sound quality. circles ep is already supported by many djs and artists such as danny tenaglia and davide squillace.

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

whats the definition of a treasure? something precious hidden in a safe place by a king maybe? double lp - 3 sides of music with an etched 4th. stunning stuff. offen music begin their journey. big tip!

after big success of the first classic series by k alexi shelby, technorama is back with another great package. we started the classic series featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this second, it is a great honor for us to welcome such a living legend, a pioneer from the detroit house scene terrence parker and the chicago veteran ellery cowles. this project includes two secrets cuts and timeless moments of detroit house & chicago techno.
on a side: *welcome to southfield*, a massive and very demand house instrumental track from terrence parker. released in 1997 on studio k7! records and issue from his *detroit after dark* lp.
on b side: *madball*, previously released in 1998 on dafunk! records, our favorite secret weapons, a real masterpiece of chicago jackin techno by ellery cowles (black nation, djax up beats, synewave).

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

2000black are back with three timeless pieces that blend the group s love for soulful futuristic beats and organic instrumentation beautifully. firing on many levels and sure to tear up a floor or two this summer. big tip and honour to have them on the label!

fantastic voyage continues to bring the sugar series to vinyl, with 32 standout tracks selected by stuart colman from the 75-track 3cd set classy sugar.
classy sugar is the successor to the thoroughly-recommended fantastic voyage compilations, heavy sugar (fvdv051), savvy sugar (fvdv059) and sassy sugar (fvdv098). whereas those releases were devoted to new orleans, the west coast and nashville respectively, classy sugar focuses on the big apple, new york city.

here comes the next big uk name on the german toy tonics label: pbr streetgang. with past releases on hot creation, wolf, 20/20 vision and a dj residency at we love in ibiza the guys belong to the finest in uk techno funk. now they joined the new german label

after a truly groundbreaking year in 2014, gardens of god is back on board ten walls boso imprint to deliver the highly accomplished zulu ep. 2015 is set to be a big year for the talented lithuanian producer with many a clubs gig and festival appearance this summer

jeff derringer’s ballorama e.p. is the fourth release from brooklyn born and now berlin based label l.a.g. run by arthur kimskii. the e.p. contains two original tracks the from chicago based techno producer/ smart bar resident with an additional dub version from the duo cassegrain. ballorama is the big room techno bomb with hints of 90&#8242,,,s rave and house like chords and chops. work ethic is an emotional sci-fi roller with restrained emotional melodic tension anchored by rhythmic percussion. the ballorama dub version strips down the original and expertly pans various noise and textures which bounces with tension.

yes, so we re finally here, the 100th release of gamm enterprises ! since the very first release with red astaire s now classic follow me gamm have remixed, reworked and edited almost every style under the black music banner. gamm have and will always aim to deliver dj friendly black dance music regardless of style. gamm simply bring out that little extra in your favourite tunes. so for our 100th anniversary release we thought we really needed to bring out the big guns. what could be better than an ep where the mighty the reflex and up and coming remix star moplen came together and re-work the greatest artist of al time, michael jackson! sounds pretty good right? the reflex, moplen and mj...what a trio! well, there s not much more to say really except that if you like disco, boogie and mj this is the biggest musical home run of all time. lets boogie...gamm style!

fas009, big as alwayas ! nothing more to say - jj got mystique reminds on an older svek release.. only one copy per customer !!

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

vibe009 is here! on colored balck/orange 12- vinyl, signed by yan cook (planet rithm/delsin) a techno-industrial track that has the essence of this ukranian producer... big kick, ground noises, a 4/4 to break the dancefloor. andre kronert (odd/even) an a2 for the first remix with his analog trade mark. marco faraone retouched this track with a powerfull techno-detriot flavour. great. to close this vinyl on b2 the dub-techno master quantec (echochord). deep techno trip.

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

serge gainsbourg meets reggae and dub. download code included.

the slingshots were born in august of 2008 with the idea of recalling and recovering the rhythmic patterns of funk, the warm vocal melodies of soul, the rich instrumental approach of jazz and the energy of rock, from its origins until our times, to offer a danceable rich selection of music and sounds, suitable for everybody, specially those in love with black music. seven men holding many years of experience through a wide and varied musical career form the band.

for brstls first release of 2015 label boss shanti celeste steps up with two impeccable dance floor cuts. the last year has seen growing attention being paid to shanti celestes djing and production. with two sell out 12 inches for idle hands and brstl, plus a well received ra podcast and a packed dj schedule she is set to be big in 2015. here she presents two tracks, *moods* is a bubbling, warm spirited house jam and *lumi* is a heads down techno stomper. another great release on brstl.

woodsmen & lady log takes a big step with this innovative and qualitative release, letting a few of their favorite artists interpret swedish folk music. it is an amazing blend of deep grooves and mysterious soundscapes. true creativity at its best, dont miss. limited edition of 300 handnumbered copies.

no label cover - just standard cover. big release again on peter van hoesen s time to express label. a set of 3 releases by sp-x. the moving through mirrors series showcases lean, contemporary techno. part 1 kicks off with e.t.a. and return to function, both prime examples of the stripped-down sweatbox grooves sp-x excels at. for adult dancefloors only

played by : ooft!, akra, the legendary 1979 orchestra...
marseille s finest dj steef steps up to the plate for the next foto 12 inch, supplying 3 hefty house tracks of varying tempo s and moods. main jam shaking kicks off proceedings with a chopped-up break and kicking groove before a piano-laden mid-section sends the temperature rising. next up freeters hits heavy on the pitch-down vibe with some wonky electronics underpinned by a solid 4/4 low end. over on the flip big bossman the revenge hits back with a trademark stripped-out mix of shaking which is heavy on the machine funk. rounding things off mojica tribe is an altogether deeper number with smooth pads and an ethereal atmosphere

acid, no wave and experimental house producer drvg cvltvre has been busy recently. after releasing with chris moss acid on shipwrec in 2014, vincent koreman then served up a full ep of his own, on dutch label cos_mos and is now back once again with a new four track affair on pinkman that comes two years after he offered up the label’s first ep in 2013. up first, * my houz* is a swampy house track with heavy drums, whirring machines and white noise textures all adding up to an intense affair that sounds like little else. then comes * tyranny of the gods* , a slow tempo but high impact track that builds and builds on a nerve lead synth line as frazzled bass props things up from below. dark and weird, occult and rave, its another unique proposition. on the flip, * sleepdealer* is an unbalanced house track with taught, tight bass and is shot through with laser like synths. serene and spaced out, it makes way for closer * crack spirit guide* which is a noisy, intense and brooding fusion of crisp percussion, big walls of synth and chattering drums that really have you on edge. once agin, then, drvg cvltvre has come up with the idiosyncratic goods.

the original he serves up here is my groove, a firmly rooted and solid bit of house music with classically inclined vocal chants by gjeazon from crazy like a fox records, that recall eddie amador s biggest cut. subtle details embellish the groove and make it all the more standout, and those deep looping basslines really pull you into the middle of the track, which also has airy hi hats and a sleazy sense of funk. the first remix comes from afterparty founder, rinse fm radio host, former usher tour dj, southern fried affiliate and pioneer collaborator doorly, who also runs his own pigeon hole label. his remix smooths out the kinks and simmers a grainy groove for seven shuffling, seductive minutes. rolling effects and a big breakdown are sure to make for some fist pumping moments in the club. last to remix is play it down producer and foremost danish dj christian nielsen. he does so with an increased sense of urgency and his track hits that bit harder as a result, all thanks to a dirty down low bassline that just rolls and rolls.

uplifting, perfectly crafted big room techno anthems + uk bass related bonus cut.

umeks infamous label 1605 returns on wax with a bang with two firing break beat / electro techno inspired cuts, a main stay in the big mans sets for the last few months.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

• superb new follow up 6 tracker from james shaw as sigha
• comes in a rectangular die-cut avian jacket with a title specific printed inner sleeve
• big support from the usual avian fans...

• repress by demand of the superb second lp from this swedish pairing
• comes in a full colour sleeve with printed inners
• big support from the usual avian fans...
another superb lp from this swedish pairing, comes in a full colour sleeve with printed inners, big support from the usual avian fans...

after the big success of the first classic series by k alexi shelby, technorama is back and proud to present a new release by swedish rising techno producer santiago naura aka bleak. releases on delsin, secret sundaze, deeply rooted and his own driven label naura records have helped him establish himself as one of the new generation of techno producers to watch. swedens bleak is fast becoming an essential part of his countrys techno new school recognised for creating and pushing that vision that’s integral to transcending your experience into something inspiring. his personal style of techno is of the deep, hypnotic,hardware-based variety , that engulfs you and never lets you go. here you can find three brilliant mixes, a real package of hard driving, deep, raw and analog techno bombs, including a powerful remix by upcoming talent stefan vincent (traut, balans, dynamic reflection). hope you all will enjoy these. real head shakers!

very cool double a side release by kalletti klub and audio stunts & mahumba with massive remixes by drauf & dran and steve cole. polarlicht is a swinging tech-house bomb for the dancefloor. schakale grande is a big n.y. house track to shakin you

the 30th release on the trunkfunk label comes from vinny villbass, one of the long-time driving forces behind the norwegian club scene. his two hot originals come with a remix from skancke and doc l junior.

silas moldenhawer and jonas kenton, both children of the early 80s, grew up alongside each other in the tiny big city of copenhagen. in their teenage years they discovered electronic music and this led them to start spinning records and producing tracks together. years later they met two other talented musicians and formed well-establish danish indie-electro outfit when saints go machine, but still kept on building kenton slash demon as a separate project.

played by ricardo amongst others! big 12- release on resopal - which comes as a 16+minute version. this sounds as brilliantly mental as you d hope. the two french guys worked a travers les branches in a their very own rancho-relaxo trademark style. a big big big extended electronic excursion. this is a haunting piece which travels through a rich landscape of fine textures. we decided to release it on a single sided white coloured limited vinyl.

alex & digby return with the fourth installment on their very own imprint flash as a rat! the pair is going back to the roots here, blending syncopated grooves and scattered vocal samples with an incredible subtelity. two beautifully crafted and fine micro-house productions that will, without any doubt, hit big sound-systems and festivals this summer!

west end communications launch their imprint with a super-limited 100 run of obstrcts vault ep! big room stab-heavy techno collides with raw house and the heavier side of the london techno-bass crossover .. a killer debut!

kanzleramt’s diego hostettler & tresor resident krenzlin strike back with an amazing peaktime techno smasher. the mighty duo is flanked with big remixes by audio injection (aka truncate), david meiser and basic implant. as usual the ep will be strictly limited and is coming on yellow & blue marbled vinyl!

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!